Here's a list of 5 of the best blogs for writers (in my opinion), in no particular order.
1. Nathan Bransford
Nathan used to be a literary agent (and is currently a writer) and he offers all kinds of advice for people interested in the publishing world.
2. Pimp My Novel
Written by someone working in the sales department of a publishing house, this blog provided really unique insight into writing and how to improve novels.
3. A Newbies Guide to Publishing
J.A. Konrath is a legacy published author turned self-publisher. He offers advice and encouragment to people seeking the self-publishing route, along with interviews and all kinds of information.
4. Write to Publish
The owner of this blog runs a small press and shares all kinds of knoweldge about the writing world with her readers.
5. Fiction Groupie
This site is written by romance author Roni Loren, who offers all kinds of tips and tricks for writers.
Of course there are tons of other great sites out there. Feel free to leave your own favorite writing blogs in the comments!
Wednesday, July 6, 2011
Monday, June 6, 2011
YA Saves
So last week the Wall Street Journal ran an article about YA fiction and started a firestorm of online debate on the subject. If you haven’t read the article (which I doubt) it basically said that most of the YA fiction out there is too dark and inappropriate for its audience. You can read it here.
People are angry, especially people who write and read a lot of YA fiction. The article makes it sound like YA readers aren’t savvy enough to handle adult themes in stories. If the writer had their way, YA fiction would be little more than really long children’s stories. Nothing too bad would happen and every story would have a happy ending.
I think that’s actually the article’s author’s problem. They assume that the people reading YA are children. Very few children read YA. Teenagers read YA. Young adults read YA. Grown adults read YA. And teenagers, and adults generally have enough real world experience to read about the real world. Life is dark sometimes. There’s violence and sex and swearing all over the place. All you have to do is walk down the street to see it. Burying our heads in the sand won’t make it go away.
The positive part of this story is that it has brought hundreds of people together to defend YA fiction. People are banding together because they don’t want to see stories they love thought of as little more than poison for the children of the world. People have been unifying to defend the fiction that helped them and that’s a beautiful thing. The ultimate message of the movement is that YA Saves. And I believe it does.
Sunday, May 22, 2011
Overcoming Fear
The other night I had a dream that I decided to self published my novel on a whim, just to see what would happen. In the dream I started getting reviews-and they weren’t good. The 1 star reviews started to pile up, much to my horror. Luckily it was just a dream.
I think a lot of people share this kind of fear. There’s always that voice somewhere in the back of our heads telling us we aren’t good enough. No matter what praise we’re given, people tend to only focus on the negative. So how do we push through it and keep moving forward?
For me, I have to remind myself that giving up will get me nowhere. Successful authors are often the ones who kept trying even after hundreds of rejection letters and touch criticism. Sometimes that criticism even pushes them to work harder.
Ultimately, I love the characters and world I’ve created and I want to share that world with other people. That love is the driving force behind my quest for publication.
I want to know what pushes you to keep writing. What makes you write? And how do you move forward in the face of adversity?
Friday, May 13, 2011
One of my first writing loves was, and is, poetry. I love the way a few simple words can be transformed into emotions, or entire words. But I'm also weirdly secretive about the poems I've written. The ones I'm happiest with are the ones that are the most personal and the most difficult to share. It seems silly to me, though, that I have hundreds of poems just sitting in notebooks that no one has ever read. So I figured I might share a few of them on here from time to time, just to brush the dust off of them and get them out in the open. So here we go...
Sometimes I Dream of Georgia
Sometimes I dream of Georgia.
Never thought that I would be
so haunted
by the tangled moss
hanging from those live oak trees.
And I never thought I'd miss her
or the warm Savannah sun.
Or the scent of Juniper
that hung in the coastal coves.
I'll never whistle dixie
or call myself a bell
but I can't forget her song
though I've bid her farwell
somehow she stays inside.
That place has never left me,
Sweet Gerogia, she is mine.
Sometimes I Dream of Georgia
Sometimes I dream of Georgia.
Never thought that I would be
so haunted
by the tangled moss
hanging from those live oak trees.
And I never thought I'd miss her
or the warm Savannah sun.
Or the scent of Juniper
that hung in the coastal coves.
I'll never whistle dixie
or call myself a bell
but I can't forget her song
though I've bid her farwell
somehow she stays inside.
That place has never left me,
Sweet Gerogia, she is mine.
Wednesday, April 27, 2011
Writing Advice
So I've been trying to decide what direction to take this blog. Should I focus on writing? Reading? The publishing industry? Maybe a mix of all of them? I feel a little silly dishing out writing advice since I still consider myself a newbie but I have learned a whole lot over the last year or so.
I figure today I'll share one thing I've learned about writing... If you don't need it, get rid of it. If a word or chapter or paragraph doesn't add something to your work then it needs to go. Certain words are 'filler words' and are usually good candidates for this. Those words include 'that' 'was' 'suddenly' 'instantly' and a whole host of others. Of course these words do service certain purposes but the trick is using them sparingly. When you really REALLY need them.
And if any part of your writing doesn't progress the plot or the characters it's not a good idea to keep it around. Unless you have a very good reason.
So that's the first lesson i'm sharing on here. Edit your own stuff before you send if off to another set of eye. And cut out any word that might distract them from how good (or bad) the rest of it is.
I figure today I'll share one thing I've learned about writing... If you don't need it, get rid of it. If a word or chapter or paragraph doesn't add something to your work then it needs to go. Certain words are 'filler words' and are usually good candidates for this. Those words include 'that' 'was' 'suddenly' 'instantly' and a whole host of others. Of course these words do service certain purposes but the trick is using them sparingly. When you really REALLY need them.
And if any part of your writing doesn't progress the plot or the characters it's not a good idea to keep it around. Unless you have a very good reason.
So that's the first lesson i'm sharing on here. Edit your own stuff before you send if off to another set of eye. And cut out any word that might distract them from how good (or bad) the rest of it is.
Thursday, April 14, 2011
Here's my query
So I've been working on my query on and off for months now. It's nowhere near perfect but it's slowly getting better. Closer. My goal is to be ready to query by June. We will see if I actually get there, but I thought I'd share my query. This is by no means the final version but it will at least give people an idea of what my books about (I hope.) Of course I still have to get through a (hopefully) final beta reader and another set of revisions. Feel free to comment, critique, or rip it to shreds if you wish. Don't worry, I can take it ;)
Dear agent-like person,
Olivia Townsend can't deny she's a killer. After all, she has a taste for humans. But an appetite her size can’t be satisfied by the tiny town of Peninsula. Not without getting caught. She hunts her prey far from home, where guilt is easier to run from and hunger is less of a problem. Besides, she loves Peninsula too much to risk losing it. Despite her best efforts to stay hidden, she’s still the center of the town’s gossip. It’s just too fun to talk about the town’s beautiful recluse. Olivia ignores most of the chatter, but when a local woman is killed, Olivia knows the smart thing to do is to get out of town for awhile. Suspicious neighbors can only mean trouble a vampire.
But Leaving becomes nothing short of impossible when William arrives. Olivia hopes she’s found another immortal. The last time she saw him was over a hundred years ago. She’s sure. And he may have a girlfriend but that doesn’t stop him from sneaking off to see Olivia every chance he gets. Plus he’s just so irresistible. And everything she wants. But he's no monster-he's a hunter with a nasty grudge against vampires. Even as she discovers his dislike of all things evil, Olivia's passion still overpowers her practical plan. And William's kindness, and interest in Olivia, only makes leaving harder. With the entire town watching and the guy of her dreams close to discovering the darkness inside her, Olivia must choose between life on the run or living in hiding with the man she loves.
Nightfire is a YA paranormal romance, complete at 56,000 words. The full manuscript is available upon request. Thank you for your time and consideration.
Dear agent-like person,
Olivia Townsend can't deny she's a killer. After all, she has a taste for humans. But an appetite her size can’t be satisfied by the tiny town of Peninsula. Not without getting caught. She hunts her prey far from home, where guilt is easier to run from and hunger is less of a problem. Besides, she loves Peninsula too much to risk losing it. Despite her best efforts to stay hidden, she’s still the center of the town’s gossip. It’s just too fun to talk about the town’s beautiful recluse. Olivia ignores most of the chatter, but when a local woman is killed, Olivia knows the smart thing to do is to get out of town for awhile. Suspicious neighbors can only mean trouble a vampire.
But Leaving becomes nothing short of impossible when William arrives. Olivia hopes she’s found another immortal. The last time she saw him was over a hundred years ago. She’s sure. And he may have a girlfriend but that doesn’t stop him from sneaking off to see Olivia every chance he gets. Plus he’s just so irresistible. And everything she wants. But he's no monster-he's a hunter with a nasty grudge against vampires. Even as she discovers his dislike of all things evil, Olivia's passion still overpowers her practical plan. And William's kindness, and interest in Olivia, only makes leaving harder. With the entire town watching and the guy of her dreams close to discovering the darkness inside her, Olivia must choose between life on the run or living in hiding with the man she loves.
Nightfire is a YA paranormal romance, complete at 56,000 words. The full manuscript is available upon request. Thank you for your time and consideration.
Monday, April 4, 2011
The Joy of Betas
Beta readers can be great. They are basically people who read your work and point out where there are problems. They often catch things you miss and are super important for every writer. I love having them but I have hit a bit of confusion with them today. I sent my most recent edit of my WIP to two different betas and got two opposing opinions. One said I wasn't being descriptive enough and couldn't picture what was going on. The other said she loved my descriptions and could picture everything really well. It's sort of making me want to hit my head against the wall.
Do I add more description and risk slowing down the pace of the action? Do I leave it alone and risk having readers that can't visualize what is happening? One of the great things about writing is that different styles apeal to different people. What one peson loves is what another person might hate. Ultimately I'm the one who has to live with the story I've written and I'm going to have to find a way to make it work for me and the people that read it. I just hope I'm up to the task.
Do I add more description and risk slowing down the pace of the action? Do I leave it alone and risk having readers that can't visualize what is happening? One of the great things about writing is that different styles apeal to different people. What one peson loves is what another person might hate. Ultimately I'm the one who has to live with the story I've written and I'm going to have to find a way to make it work for me and the people that read it. I just hope I'm up to the task.
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